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Choir Dress
Choir dress is the vesture of the clerics, seminarians and religious of traditional churches worn for public prayer, either apart from the eucharist or by those attending the eucharist as the clergy part of the congregation rather than as the celebrants. Choir dress is different from the vestments worn by the celebrants of the eucharist, and is normally made of fabrics such as wool, cotton or silk, as opposed to the fine brocades used in vestments (with the exception of the cope, which is both a vestment and choir dress).
3xlt”>http://www.himfr.com/buy-3xlt_shirts/”>3xlt shirtsChoir dress also differs from “house dress” which is worn outside of a liturgical context (whether in the house or on the street). House dress may be either formal or informal.
For seminarians, deacons, and priests the cassock is exactly the same as their normal cassock: a black cassock with black buttons, girded with a black fascia.
Priests who hold additional honors may wear a different cassock: chaplains of honor wear a black cassock with purple piping and fascia, while honorary prelates and protonotaries apostolic wear either a purple cassock with amaranth piping or a black cassock with red piping. Canons may wear the rochet with a distinctive mozzetta, the particular colors of which are determined by the chapter.
Bishops wear the above mentioned purple cassock with amaranth piping, and add a pectoral cross suspended from a green and gold cord, a mozzetta over the rochet, and a purple zucchetto under the biretta. A cardinal wears a scarlet cassock with scarlet trim, pectoral cross on a red and gold cord and a red mozzetta over the rochet, with a red zucchetto. The Pope’s choir dress includes a white cassock, rochet, red silk mozetta and his pectoral cross hangs from a golden cord. Some canons wear their cross on a ribbon, but only a bishop may wear the cross on a cord. Under new regulations, neither bishops nor canons wear fir trimmed cappas.
The cope and/or stole may be worn over choir dress when a cleric presides over a sacrament (for instance, at matrimony, if not celebrated during Mass), or by the cleric presiding over prayers (for instance, the priest presiding at a solemn celebration of Vespers in the Liturgy of the Hours at a seminary might wear cope and stole over choir dress, while the priests of the faculty and seminarians would wear simple choir dress of cassock and surplice).
Monks who are neither deacons nor priests also have a form of choir dress: the full monastic habit with the monastic cowl forms their formal wear for attending the Liturgy of the Hours or Mass.
Informal house dress for the higher clergy is the simar with fascia (a fringed sash worn around the waist), and zucchetto. Formal house dress may include additionally the biretta and ferraiuolo. For everyday wear, especially in North America, a clergyman may wear a collared clergy shirt with black coat and pants. Sometimes, cardinals or bishops will have piping and colored buttons attached to their clergy shirts so it resembles the simar.
The choir dress of clergy in the Eastern Orthodox, Oriental Orthodox and Eastern Catholic churches are relatively similar. Over the inner cassock (rasson or podrasnik), a deep-sleeved exorason (riassa), which is often black, is worn. In the Russian Orthodox Church, married clergy often wear grey, while monastic clergy wear black. During the paschal season both monastic and married clergy will often wear a white inner cassock. Some Russian Metropolitans wear a white inner cassock and a blue outer when formally arriving to celebrate the Divine Liturgy.
In Eastern Orthodoxy and Byzantine Catholicism, monks wear a black cloak, the mandyas over the outer cassock. The mandyas completely covers the monastic below the chin and reaches to the floor. In the Greek usage, the mandyas is usually only worn when performing certain liturgical roles; in the Slavic usage, all monks and nuns of the rank of Stavrophore or above wear the mandyas at every service, so long as they are in their own monastery. The mandyas of an hegumen (abbot) is of black silk, that of an archimandrite or bishop is of coloured silk (specific usages will differ by jurisdiction), and has four square “tablets” on it: two at the neck and two at the feet. A bishop’s mandyas additionally has “rivers” on it: three horizontal stripes either of gold (Greek practice) or red and white (Slavic practice).
Monastic clergy wear different headcoverings than married clergy. Married clergy wear either a coloured kalimaukion or skufia; monastic clergy wear a black kalimaukion and veil (together known as the klobuk). For monastics, the skufia is reserved for house dress, and the klobuk is worn in church. Russian archbishops have a jewelled cross attached to the front of their klobuks; Russian Metropolitans wear a white klobuk with jewelled cross. Several Orthodox Patriarchs wear a rounded headcovering called a koukoulion.
Priests who have been awarded a pectoral cross wear it with their choir dress (these pectoral crosses are of several degrees: silver, gold, or jewelled). Bishops wear a panagia (icon of the Theotokos) in place of the pectoral cross. Archbishops may wear a pectoral cross and a panagia. All primates and some bishops below primatial rank have the dignity of wearing an enkolpion (icon of Christ), a pectoral cross, and a panagia.
A ruling Igumen (so long as he is inside his own monastery) and a bishop may carry his paterissa (crozier) when he is in church. However, the paterissa is never to be carried inside the sanctuary; instead, when he goes into the altar, the paterissa is either handed to an altar server or left leaning against the iconostasis outside the Holy Doors.
In North America, some Orthodox clergy have begun to wear a Roman collar (clergy shirt), though this is discouraged among the more traditional Orthodox.
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